Really Nice Compressor (RNC) | Just how nice is it?

In late 2004, I had the pleasure of auditioning two very fine compressors. The Really Nice Compressor (aka, RNC), made by FMR Audio, really fit the bill for when I wanted a transparent "attack leveling" effect....the kind of effect that you don't hear, but makes you sound so much better...if that makes any sense. My taste favored the half-rack spaced effect, and here's my review of the Really Nice Compressor.


Testing Guitar: Gibson ES 446 (humbuckers)
Testing Amp: Fender Super Reverb & Fargen Jazz Custom

I had to improve my knowledge & application skills concerning studio compressor layouts with this pedal. But, for anyone who is familiar with using studio compressors, this baby is a walk in the park! Layout of Controls: THRESHOLD, RATIO, ATTACK, RELEASE, and GAIN. This compressor has 2 modes also: Normal and Supernice. Supernice mode stacks 3 compressors in line, which makes the compression effect much less noticeable....very useful technique. The stacking of the 3 compressors (in this mode) is preprogrammed by the designer, but you still use the controls (THRESHOLD, RATIO, ATTACK, RELEASE, and GAIN) just as you would in Normal mode.

I've never played a compressor that DID NOT COLOR MY TONE as well as this one. As with the Menatone JAC, there was no high end roll-off. To me, this pedal is very useful b/c (as with studio type comrpessors) I can really control how my tone is compressed (again this is primarily limiting) by using all of the controls to achieve how I desire the RNC to effect my tone and dynamics. I set the THRESHOLD where I want the RNC to start compressing (limiting) the signal (called the "ceiling"). Then I adjust the ratio of how much compression (limiting) I want. Then I adjust the ATTACK knob to set how quickly the effect kicks in (this is very useful in retaining pick attack by turning this control more clockwise) and by getting a more squash tone (by turning the control more counter-clockwise). Then I set the RELEASE knob to control how long I want the effet to "hold on" to my signal. Finally, I adjust the GAIN knob to set the overall volume of the effect.

The compression effect is very transparent with the RNC. When it is heard, it is rather soft and smooth. I really dig the supernice mode. I really dig the SUPERNICE mode too b/c the compression is less noticeable (although subtle to begin with even in Normal mode). But that is what is preferred with this type of compressor since it's also designed to be used for any instrument, studio applications, etc. What goes in, comes out, just compressed (limited) and with even dynamics (to the degree that you set the controls to do so). The only drawback for guitarists or bassists is that there is not stomp switch. The unit is like a 1/3 rackspace and about the size of a pedal.

Overall, this pedal won the competition between the RNC and the JAC for me. I was looking for a "leave it on" type compressor to even out my tone. I didn't want to feel "restricted" or even hear the comrpession too much. The Supernice mode is great for this! I was never able to get much of a Ross-like squish/sustain out of either the RNC or the JAC, but I already have good sustain for my rig (for sustain type comrpession, something like the BJF Pale Green Compressor or a Ross/Dynacomp type compressor would probably suit you better). This one's a keeper! Well, at least for while.

**This review is originally listed in an extensive discussion about compressor pedals in the Six String Soul guitar forum.