Guitar Buffers are the Key to Effective True Bypass
May 31, 2009 by SSS
Ever plug straight into your amp and be amazed at how great your amp feels compared to when you run through your pedalboard full of true bypass pedals? If you haven't, give it a quick try. Chances are, you're still missing something even though you thought you were safe with all of those true bypass pedals on your pedalboard. Pete Cornish explains why.
Guitar Buffers & Boost Pedals
Now, before you take the Cornish word as word of God (which you almost should, when it comes to guitar gear), consider another solution. Place a high quality line/guitar buffer or boost pedal at the beginning or end of your chain. What you'll do is ensure that your signal isn't colored by a full pedalboard's worth of different buffers, and also ensure that your signal stays strong when it hits the front end of your amp (thus avoiding tone sucking).

Lovepedal Line Driver
Companies like Lovepedal are making line driver/guitar buffer pedals which are a direct remedy for this signal loss problem of tone sucking. CAE also makes a guitar buffer that can be installed directly in your guitar, just before its output jack. However, any boost pedal will work in this application, and consider adding some tonal control. A pedal like the Xotic RC Booster
will give you EQ control over your tone in this application. The Zvex Super Hard On (SHO)
will add some sparkle to your tone. The Burriss Boostier will allow you to add a touch of natural sounding breakup with it's Input control, and warm up the tone by rolling off some high end with the High control. All of these options allow you to prevent or recover signal loss (depending on whether you place it at the beginning or end of your effects chain).
Where should you place a guitar buffer/boost pedal in your guitar effects chain for this application? When using a guitar buffer with no boost (such as the Loveped Mini Buffer), simply place the pedal first on your pedalboard. When using boost pedals, the answer to this question lies with your other pedals. Do you like the sound of a boost before or after your overdrive/fuzz pedals? Placing a boost before will goose your overdrive/fuzz pedal, making it sound more distorted. Placing a boost after your overdrive/fuzz pedals will make it sound bigger without adding more distortion.
Do you use a compressor? If so, placing an "always on" boost before it will negate the effect we are trying to achieve. In this case, you have two options. The first option is to use the boost pedal after your pedal compressor, to avoid the compressor leveling out the slight boost you're trying to create. The second option is to use your compressor's level control for the slight boost you're trying to achieve. This, of course, will only work if you play with the compressor on at all times.
In the end, true bypass is still your friend. But if you want to retain the natural feel/impedence of plugging directly into your amp, you'll need to place a guitar buffer/line driver or boost pedal on your pedalboard (and keep it on at all times) in order to retain the strength of your signal on it's way to your amplifier's input.








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Interesting article for pedal and FX users.
I have always found that having more than one pedal was a drag. Usually I only care to plug a Wash-wah and I used to play with a Digitech RP5 back in the days where I used effects.
Now, I have found a good solution: I use a VOX Valvetronix. It has the classis set of effects built in and this is all I need (since I very seldom feel I need to combine effects – something the Valvetronix doesn’t give you the freedom to do).
Thanks for the info.
Interesting article. But here’s a different take on things. I like to use a single channel amp that’s always clean (1966 Fender Bandmaster or Fender Blues Jr) and get all of my distortion/overdrive from pedals. I have several non-true bypass pedals on my board (Boss TU-2, NS-2, Keeley TR-2, Keeley Blues Driver, DD-20, etc…) but I don’t really think it matters. In my opinion, if you are ALWAYS going to be using your pedal board, don’t adjust your clean tone running straight in, then add your pedals. Run through the whole board and set your clean. If you like the way it sounds then, who cares if your other pedals are coloring your tone? Just adjust for that and you don’t have to worry about buffers or line drivers or anything like that.
I know for some extremists this is not an acceptable solution but it works very well for me.
Peace